People who've followed the artist's oeuvre will probably be pleasantly surprised to notice the marked twist in her paintings. While she has been work on big size canvases articulating her concern regarding human existence in fast growing urban areas, she's moved away from her sooner indulgence using all the homo-centric figurative language to make a far more abstract pictorial language employing an intricate pattern of grids and staircases.
Consequently, urban areas, their significance within an aspirational desire, the individual angst they produce and the simple fact they are gradually but aggressively taking over rural areas is exactly what forms the heart of Shruti's work. Faced with loneliness as a result of rapid breakdown of connections in an urban area, Shruti's protagonist searches for sustenance. Additional to this, is that the odd amalgam of the old and new - that the erosion of that one held holy - worth, principles, ideals - from the invasion of a delicate brightness. We construct 'castles in the air','' 'we aspire to locate ','' 'we waitwe think '... But despite this, he's not only a victim. He's got an internal intrinsic power that enables him to deal and preserve, and hope.
What's also visually arresting in this brand new body of work is the way the artist has employed 'grids' to deconstruct present realities. Unlike in her previous works, she assembles a great deal of grids on her pictorial space so that a viewer could negotiate her truth within both an aesthetic and philosophical manner.
An individual may also locate Shruti's involvement with all the beauty of the body in the majority of these works also, although substantially moderated and dull. While she's selected to now produce visual airplanes of abstract colour schemes, she integrates solidly attracted male human characters but twisted to some extent to highlight the sense of dislocation of those individual beings.
Her non conformist topics and technical genius create exactly the exact same urban jungle in which we've both fulfilled an endearing part of artwork. "
It's this irony of human existence I have tired to catch in my job. "
1 man divides into several. 1 man becomes fragmented and grows - as curator and art writer Johny M.L sets it a 'mutiplicity' within this complex/ed urban society. The dichotomy appears when the exact same person living in this teeming metropolis is nonetheless, independently. Equipped with his aloneness along with the quick breakdown of connections which are life giving, he hunts for sustenance. Additional to this is the odd amalgam of the old and new- that the erosion of that one held holy - worth, principles, ideals- from the invasion of a delicate brightness. We construct 'castles in the air','' 'we aspire to locate ','' 'we waitwe think '... But despite this, he's not only a victim. He's got an internal intrinsic power that enables him to deal and sustain, and hope.